Another Sunday movie night!

Each Sunday we are giving you a recommendation of a film that is worth another watch and fits to the COSCA lifestyle. 

Let's go a little bit darker and deeper this week and watch the French classic La Haine (1995) also known as HATE together:

La Haine / Hate from 1995 poster with half of the picture being only the eyes of Vincent Cassel black and white with a read HATE writing in the middle and the quote "How far you fall doesn't matter, it's how you land"

Kassovitz, M. (Director). (1995). La Haine [Motion picture].
France: 
Les Films du Losange.
IMDb rating: 8.1/10 ⭐️

La Haine, a French film released in 1995, directed by Mathieu Kassovitz, is a powerful and thought-provoking film that explores the lives of three young friends living in the impoverished banlieus (suburbs) of Paris. The film, shot in black and white, is a raw and unflinching look at the harsh realities of poverty, racism and police brutality faced by many inner-city youth and migrants.

The film follows Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd Taghmaoui), three friends from different ethnic backgrounds, as they navigate the difficulties of life in the projects. The film opens with Vinz, a Jewish man, discovering that his friend Abdel has been beaten into a coma by the police, setting the stage for the rest of the film. The three friends spend the day wandering through the city, trying to make sense of what has happened and how they should react to the situation. 

The film is shot in a realistic style, with handheld cameras and natural lighting, which gives it a sense of immediacy and realism. The black and white cinematography adds to the film's powerful imagery, highlighting the contrasts between the poverty-stricken suburbs and the opulence of the city center. La Haine is a film that is not afraid to tackle difficult and controversial issues. The film's portrayal of police brutality is particularly powerful and thought-provoking. It is not a film that offers easy answers or solutions, but it does force the viewer to confront the uncomfortable reality of life in the projects.

One of the most striking aspects of La Haine is the performances of its lead actors. Vincent Cassel, Hubert Koundé and Saïd Taghmaoui deliver powerful and nuanced performances that bring their characters to life in a way that is both real and relatable. La Haine was Cassel's first major role in a feature film and it was a breakthrough performance for him. He received critical acclaim for his portrayal of Vinz and the film was a major success in France and it helped to establish Cassel as a rising talent in the French film industry. It also brought him international recognition, with several film festivals, such as Cannes, showing the film and him receiving awards for his role. La Haine marked the beginning of a successful career for Vincent Cassel, and it remains one of his most iconic and memorable performances to date. 

The use of clothing in La Haine serves to emphasize the characters' identities and the discrimination they face. It also serves to emphasize the film's themes of poverty, racism, and police brutality. The film's use of clothing is a powerful tool that adds depth and nuance to the characters and the film's themes, making it a standout aspect of the film.

Overall, La Haine is a powerful and thought-provoking film that is not afraid to tackle difficult and controversial issues. It is a film that is both real and relatable and one that will stay with you long after the credits have rolled. A must-watch for anyone interested in social issues and cinema - and be honest, when was the last time you have seen a black and white movie?

The soundtrack of La Haine is an important aspect of the film as it helps to create a sense of atmosphere and mood. The film's soundtrack is mostly composed of hip-hop and rap music, which serves to emphasize the film's themes of urban youth culture and the struggles of inner-city life. The use of hip-hop and rap music also serves to underscore the film's themes of poverty, racism, and police brutality, as these genres of music were heavily associated with urban youth and minorities at the time.

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